Definition of 'seeing too much of a show': 'recognising the show from the back of someone's head in the first five seconds of a promo'.
See, I hate hospitals. Fear them, despise them, don't want anything to do with them as long as there are live people walking around.
And I really, REALLY hate waiting rooms.
Why is it so....sterile? Cold? Creepy? 'Going to smuggle you away to a dark fate and no trace of you will ever be found' like?
Maybe it's just me....
And the telly is ALWAYS on and NEVER playing anything good! Just...why.
So, there were three random trailers. And I knew all three of them - just the other two it took me a while to get (one was until I saw the faces of the characters, and the other was until I saw the series name) but then there was the third one. First five seconds, back of the head.
For my sanity and the river not quite in Egypt, no names will be mentioned.
Speaking of shows, there are several I DEARLY need to catch up on.
Blacklist although at this point I'll probably just wait until the series is over again so I don't have too much cliffhangers at least. Doctor Who as well, although for whatever reason, I'm just not in the mood - probably something having to do with the girl who is impossible to get rid of..... Agent Carter but.... Well. I just want to have her dress!
Can you blame me?? Black and red and vintage and long and what is there NOT to like??? Well, besides the low neckline - but THAT is easily fixed.
I also would like to know WHY she is dancing with Jarvis but.... I'm sure we'll find out. And I refuse to spoil myself more.
.....if there was any doubt that she's a Widow though, I think her current clothes choices are either dead giveaways or blatant foreshadowing depending on the point of view......
And it's April now! Which - for one - I have a decidely evil and macabre sense of humour that is dying to be let out today, but unfortunately I don't know anyone that WOULDN'T kill me or give me the fifth degree if I loosed it so..... That's a lost cause.
However.... April is National Poetry Month.
So, I've a challenge for anyone that writes any sort of poetry or verse: write one poem every single day for the rest of the month.
It's fun.
Especially if you can link them all.
Bon chance!
I'm going to post this and see if I can every finish the companion to Pippen's dress.....
A place to talk about series, books, Vintage, hairstyles, life, profiling, Shakespeare, acting, dreams, prose, poetry.... Whatever should come to mind. Sadly, this blog is extremely unlikely to feature any enthralling cases. Indeed any above a negative five or something...
"...I hate repitition, I really do. It's like asking a painter to paint the same picture every day of his life." -- Peter Cushing
"Don't be too brave. Bravery is a fine thing on some occasions, but sometimes it can be quite a dangerous thing. The stiff upper lip is not always the best." -- Jeremy Brett
"We don't always get the kind of work we want, but we always have the choice of whether to do it with a good grace or not." -- Christopher Lee
"Don't be too brave. Bravery is a fine thing on some occasions, but sometimes it can be quite a dangerous thing. The stiff upper lip is not always the best." -- Jeremy Brett
"We don't always get the kind of work we want, but we always have the choice of whether to do it with a good grace or not." -- Christopher Lee
Showing posts with label Agent Carter. Show all posts
Showing posts with label Agent Carter. Show all posts
Friday, April 1, 2016
Monday, March 14, 2016
I've Heard That Song Before...
Can I just say that Howard really needs to be slapped at times? However, COMPLETELY FORGETTTING DOTTIE was priceless. Actually, what was priceless was Jarvis' and Carter's eye-rolls in response, and Howard ONLY remembering after Jarvis reminded him what he was wearing. Jarvis does not deserve to get slapped in Howard's stead: Howard needs some.... Brains? More usefull than that genius ones? Maybe?
And, look at this I found!! Alright, completely pointless - BUT! HAT! GLOVES!!! I love it!! I actually just made a hat much like that - not that it matters.... I look rather like some vintage airline stewardress when I wear it.
No, actually. I was trying to make another Film Noir photograph compilation for a character. Of course, as you can - or will - see, I got distracted.
All of what I've learnt in graphic manipulation has been by trial and error. Most early ones I really need to remake - but some were good in their simplicity. Or at least not so horrid..... Which we were on the subject of Marvel, I tried to find some of my old ones....
First: NONE OF THE TEXT ON THESE PICTURES IS MINE!! The pictures are mine - well, the compilation at least - but the text comes from a tumblr site of SHIELD recruit survival tips. http://shieldrecruitsurvivaltips.tumblr.com/ A hilarious site, and well worth the read.
Tip #22 -- This - and most of these - were made after I saw the promo for the pilot of Agents of SHIELD. And had just found out that Coulson was still alive.
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| Made by Angelique |
OBVIOUSLY written for Tony.... Tip #48
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| Made by Angelique |
Tip #131 -- Again, after the...well, this one is later in the series at least because these images weren't available before. Basically, Ward being condescending to Hill concerning Agent's death....
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| Made by Angelique |
Tip #132 -- I adore that oneshot. It was hilarious, and priceless. And truly perfect. For some reason, a lot of these I always feel were written in some way for Stark....
And now I hate Sitwell - but this was before Hydra.... Well, technically not - but still!
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| Made by Angelique |
Tip #220 .....I don't like this one, really. But it was the first I made, and I might as well include them all, so.... Voila - there it stays. I'll remake it at some point......
Tuesday, February 2, 2016
Nothing From the Past...
So I posted the other rambling thing earlier, and reveled in my ability to post pictures of Dottie in the beautiful gown and hair and WHY do I not have those things... *sighs*
But then I noticed - watching Howard - that I probably actually have most of the scene.
On a side note, I was thinking about Person of Interest.
Increasingly moreso since I researched Film Noir and Neo-noir for the book.
It is a beautiful medium, really - so elegant, simplistic, glarmourous..... Oh, I love it - and have I established I love older eras? Hopefully. Then the Reader can avoid being surprised when I spend most of my time referring it it....
The series - a truly spectacular, thoughtful, deep one that I cannot WAIT for the next series in and that I really hope they don't cancel.... But I was never that fortunate - but the series was always a bit off. It's supposed to run in tandem with realtime, as are most television series - but there's something slightly wrong. It just doesn't...fit. Maybe it was the overwhelming corruption that ruled out it taking place in reality, or maybe it was that the main characters always wear suits, or maybe it was the Machine (HA!!).... But regardless, it still was.
(Yes, those are all of Finch. I don't care. He's the best character. At least I chose different colourings and scenes.)
I've decided that it was mostly the colours.
Now, obviously, in every era, there were shades of bright colours, and obviously situations where bright colours would have been predominately worn - but there are also averages.
In general, the colour schemes of the Twenties, Thirties, and Forties were earthy tones. This was of course dependent upon what dyes were available. Dyes for the most part have come from plants and animals and other products of the earth - none of which lended themselves to neon colouring. Thus, most colours leant more towards earthy tones.
Obviously.
In the Twenties, Thirties, and Forties, more dyes were developed or whatnot - I actually have no idea, I just know that technology advanced by leaps and bounds in the end of the Nineteenth century, and with the Great War and change in fashions, it only makes sense that due to technology, more dyes and shades would have been made available.
There was the Twenties, which I actually think was quite bright and...guady at least. It was the Roaring Twenties.
And then came the Thirties - the Great Depression.
And then the Forties, in olive war colours.
A lot of what we envision of vintage eras comes from pictures. Of course, many of these pictures were propaganda - especially in the Forties. Navies, olives, kahki.... These colours dominated the pictures.
Yes, they're all for women. So shoot me - I'm watching Agent Carter; what else is on my mind? (and no. WWII was and is the only point in time I believe it acceptable for a woman to serve in any branch of the military. And even then it was stretching it..... But they were different. They still wore dresses and makeup and did their hair..... Now? Not a chance.)
But as you can see: generally earthier colours.
Person of Interest basically follows the same scheme for the most part.
Different lighting, live action rather than drawings, spread out across all levels and parts of a bustling metropolis rather than in a single part or in a field.... But for the most part.... It does the same thing. Darker, muted colours, harsher lighting - or so it seemed to me...
And it's not perfect - it's just enough to...skew it a bit. Throw the perception off - make it seem less....normal. And it lends itself wonderfully to the series.
By the way, I might have written a research paper on women's fashion in the Forties - but I'm in no way an expert. All I have is my observations and compilation of events through history and how they tend to repeat - and I apply them to modern life.
It's the only way things make sense to me. Apply it to history, and then see if that clarifies the world today.
There are some things that never fail to make me smile. Tennant making weird, insane faces as Hamlet and this picture that is just so.....safe? Are two.
I've a dangerous amount of fun with this......
But then I noticed - watching Howard - that I probably actually have most of the scene.
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| Please, judge me..... In this, I don't care a whit. |
See? Besides, then I get more beautiful pictures.
On a side note, I was thinking about Person of Interest.
Increasingly moreso since I researched Film Noir and Neo-noir for the book.
It is a beautiful medium, really - so elegant, simplistic, glarmourous..... Oh, I love it - and have I established I love older eras? Hopefully. Then the Reader can avoid being surprised when I spend most of my time referring it it....
The series - a truly spectacular, thoughtful, deep one that I cannot WAIT for the next series in and that I really hope they don't cancel.... But I was never that fortunate - but the series was always a bit off. It's supposed to run in tandem with realtime, as are most television series - but there's something slightly wrong. It just doesn't...fit. Maybe it was the overwhelming corruption that ruled out it taking place in reality, or maybe it was that the main characters always wear suits, or maybe it was the Machine (HA!!).... But regardless, it still was.
(Yes, those are all of Finch. I don't care. He's the best character. At least I chose different colourings and scenes.)
I've decided that it was mostly the colours.
Now, obviously, in every era, there were shades of bright colours, and obviously situations where bright colours would have been predominately worn - but there are also averages.
In general, the colour schemes of the Twenties, Thirties, and Forties were earthy tones. This was of course dependent upon what dyes were available. Dyes for the most part have come from plants and animals and other products of the earth - none of which lended themselves to neon colouring. Thus, most colours leant more towards earthy tones.
Obviously.
In the Twenties, Thirties, and Forties, more dyes were developed or whatnot - I actually have no idea, I just know that technology advanced by leaps and bounds in the end of the Nineteenth century, and with the Great War and change in fashions, it only makes sense that due to technology, more dyes and shades would have been made available.
There was the Twenties, which I actually think was quite bright and...guady at least. It was the Roaring Twenties.
And then came the Thirties - the Great Depression.
And then the Forties, in olive war colours.
A lot of what we envision of vintage eras comes from pictures. Of course, many of these pictures were propaganda - especially in the Forties. Navies, olives, kahki.... These colours dominated the pictures.
Yes, they're all for women. So shoot me - I'm watching Agent Carter; what else is on my mind? (and no. WWII was and is the only point in time I believe it acceptable for a woman to serve in any branch of the military. And even then it was stretching it..... But they were different. They still wore dresses and makeup and did their hair..... Now? Not a chance.)
But as you can see: generally earthier colours.
Person of Interest basically follows the same scheme for the most part.
Different lighting, live action rather than drawings, spread out across all levels and parts of a bustling metropolis rather than in a single part or in a field.... But for the most part.... It does the same thing. Darker, muted colours, harsher lighting - or so it seemed to me...
And it's not perfect - it's just enough to...skew it a bit. Throw the perception off - make it seem less....normal. And it lends itself wonderfully to the series.
By the way, I might have written a research paper on women's fashion in the Forties - but I'm in no way an expert. All I have is my observations and compilation of events through history and how they tend to repeat - and I apply them to modern life.
It's the only way things make sense to me. Apply it to history, and then see if that clarifies the world today.
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| Red, White, and Blue |
Now, on to the subject this post was actually going to be about.
As ever, I managed to completely get lost in a rabbit trail.
Agent Carter series Two. I have been waiting for what feels like forever. I realise it's nothing compared to Sherlock or something - but I don't quite care.
It's a series. About spies. Where the women are dressed modestly. And the men are for the most part chivalrous - we're ignoring that they don't fit into today's standards of how to treat women. Jarvis is the example, not Thompson - whom I'd gladly drop a table atop too.... - and in many ways I agree with Thompson. He just goes about saying it in a horrid way.
But! The series! Spies, and Queen's English, and etiqueete, and elegance, and the Forties..... Captain America is originally my favourite superhero simply because he came from the Forties. No surprise I wanted to watch this series....
And Dottie's hair is dark now! She does look better with dark hair - but I was always partial to it anyway.... It's...colder? I prefer Winter. But she looks nice in many hair colours so far - annoyingly so, because then it's harder to recognise her save a niggling feeling of nagging recognition.
I actually didn't believe that it was the one from this series given that the costume looks almost (or completely - it's rather hard to find a full picture of that suit) exactly like the one in the close of the first series.
And would that have been proper? Probably given this series has done a terribly good job so far with accuracy.... I shall have to look into it more.
I actually didn't believe that it was the one from this series given that the costume looks almost (or completely - it's rather hard to find a full picture of that suit) exactly like the one in the close of the first series.
And would that have been proper? Probably given this series has done a terribly good job so far with accuracy.... I shall have to look into it more.
*MINOR SPOILERS FOR THE SERIES UNTIL THE NEXT PICTURED SECTION*
........Ana Jarvis. Just when I thought that his part of the series could get no better, it did.
She is.....scatterbrained, adorable, flighty (how does she manage that alongside Edwin??), the model housewife, intelligent, likely much stronger than we're shown in the first episode: Edwin is Howard Stark's butler, and he's hardly going to leave his wife when they move to another house - yet I can't really picture her having an affair with Stark. Yet, she's pretty enough that he would have noticed her.
Granted, Stark could also have voluntarily refrained out of respect for Jarvis - but it's Stark. I might understand and like the two of them, but I don't have THAT high an opinion of them.
*smiles* I think Ana knows exactly how to annoy and embarrass her husband, and she gleefully takes advantage of it. I think there's quite a bit more in her head than it seems - there has to be for her to be in that position.
She is certainly an amusing, intruiging creature and I look forward to seeing more of her. And Jarvis, because that was completely hilarious.
Not to mention, as long as I'm talking in the Spoilers section of this post, that beginning-!
Plainly copied after the opening of the first Series - and honestly surprising that it wasn't actually Carter. And yet....Was it more intentional that just mirroring it? Dottie is stronger than the men she deals with of course - but she was trained to. And there are others like her that can do the same. Peggy Carter on the other hand....She basically made herself. Against opposition. The War might have helped, and with that getting into position likely wouldn't have been that hard - but actually going out into the field? Sousa is a good example of someone that knows she can do it - that women aren't completely useless - but believing that she shouldn't. and Carter still suceeded. And Dottie copies her look - out of admiration? It was hinted a bit that it was out of fear - but I think admiration works better..... Carter has beaten her twice.
By the way, perfect example of there being more to Ana Jarvis than shown in the initial meeting: her being Edwin's sparring partner.
....for whatever reason, I'm going to bet she was the usual winner. Jarvis just...doesn't seem like it. At all. He's too....polite?
*SPOILERS FOR PLOT CONCLUDED - ALL'S SAFE TO READ NOW*
AND THE COSTUMES!!!!!!!!! Look at it!!!!!!!!!!!! Beautiful, gorgeous, lovely, vintage, fitted costumes.....
Wherefore doth thou stay within this series - wherefore doth thou hide in the past?
And makeup! Actually applying it!! I couldn't comment on her light pink lipstick - but she's being 'filmed' so that was something I never looked in to..... Couldn't have. It's rather annoying.
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| The great spymaster..... Alright - the flamingo was hilarious. Ana more so.... |
And Jarvis...... *drops head on desk* That poor man....I usually always feel sorry for him - it's painful sometimes. (AKA: American accent, and athleticism. Those that have seen the episode will know to what I refer.....)
Hats, stockings, shoes, and gloves. Corsets and girdles. Slips. Garters. Hair combs. Hair rats. Earrings. bracelets. Jewelry.
WHY IS IT ALL IN THE PAST!!!!
And really, Besame?? Twenty-two dollars for a tube of lipstick??? ....and yet, I'd still get it.
Sometimes I hate my interest in history.
Oh! Speaking of costumes....
Well chosen costuming for her - whomever she is. I think she may be some Marvel villainess, but I really wouldn't know so.... I will merely comment on her costuming.
In a world where most of the rest of the people are still wearing wartime fashion, she is the wife of a very rich, popular man; and she is dressed in the very newest fashion, in the beginning of Dior's New Look. Early, of course, and I've no idea of it's history - but in a world where everyone else lives in the Forties, she dresses as if she's from the Fifties.
Oh! Speaking of costumes....
Well chosen costuming for her - whomever she is. I think she may be some Marvel villainess, but I really wouldn't know so.... I will merely comment on her costuming.
In a world where most of the rest of the people are still wearing wartime fashion, she is the wife of a very rich, popular man; and she is dressed in the very newest fashion, in the beginning of Dior's New Look. Early, of course, and I've no idea of it's history - but in a world where everyone else lives in the Forties, she dresses as if she's from the Fifties.
There are some things that never fail to make me smile. Tennant making weird, insane faces as Hamlet and this picture that is just so.....safe? Are two.
I've a dangerous amount of fun with this......
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| Made by Angelique |
The wars been over for many a year,
I saw no one pass, shed not a tear
O'er newly dug graves: I have no right
To pretend to sorrow for those that did fight.
The war has been over, I heard we won.
We did what we said we would when we begun.
And the graveyards are filled with all we have lost -
And yet it feels there was a greater cost...
The war has been over - that time is long gone.
No more is that darkness tainting all with wrong.
But something's broken, something's turned weak:
Without an objective, can we find what we seek?
The war has been over, but which one did we fight?
Much blood was shed - but were both won by right?
The war is long over, and so much was lost;
But there are no graves to remember the lost.
I am not a girl of the modern century. I use it as I must, but......
And yes, dear Reader, the title of this post is completely erroneous.
Well, not if you bear in mind its origins - but I can only apologise.
Godspeed, et bonchance!
Come Little Children - Listen to my Madness
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| "Alive, and unharmed." "Must you qualify your requests?" |
There was another picture of Illya lying in the middle of the road, but I got bored of wading through pictures from the remake.
No! But that quote actually fits in quite well! Because: 'who's your favourite character', 'what's your favourite movie', 'what's your favourite book', 'what's your favourite school subject', 'what's your favourite season', 'who will you side with in Civil War' - oh! And you can only choose one!!
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| Must you qualify your requests? |
Besides, in real life, who has better favourites in friends?
Actually, don't answer that....
But that aside.
AND I REMEMBERED TO EAT SO DON'T ASK AND YES I'M SURE AND YES IT WAS TODAY!!!
I digress.
Tony Stark really is such an interesting character. At first glance, of course, he's abrasive, rude, spoilt, uncaring..... He's not someone anyone should look up to or really be loyal to except in self-preservation given he can be rather vindictive.
And I've not seen his films in ages, so pardon any liberties and major jumps in logic I take: I'm merely applying my observances of others in like situations and backgrounds to him.
He's not happy. He isolates himself, and probably always has. Perhaps he had some childhood friends, but there's a good chance that it didn't last long. He's smart, so smart - he needs challenges.
He lives in a rich house. From what I know from the films, it was hardly happy. He would have learnt of the pitfalls of money - would have seen the traps people would fall into. He was smart enough to learn how to best avoid them. For whatever reason, he's pragmatic at best. Subconsciously most likely.
He's incredibly flippant - completely uncaring. Oblivious to social conventions. Uncaring about the feelings of those around him. He is fine, always fine, nothing matters - he's fine so everyone else is too. A few words can fix everything and he just keeps going.
That's my main complaint with him really. He just...untouchable. Nothing changes him.
It's not really done intentionally anymore. It's been cultivated for so long so to be automatic, and he's forgotten how to be anyone else. But he knows it's different; and when he does let people close or have people he WANTS to let close..... He's at a disadvantage, and he employs it even more.
My other complaint with his films is that the first half is always some great....temper tantrum of sorts?? I know. He's dying in the second. I actually liked the third. First....It still gave that impression. Don't know why....
But who likes to live behind a mask? Self-cultivated or imposed by force..... Who'd want to keep going forever. Everyone has feelings, even if they can't identify them anymore. Where'd I run across that.... Irrelevant.
He was so reckless and careless at the beginning of the second, and he was dying.
It reminded me of the beginning of the first.
I think he hoped that his luck would run out. But he knows that there are some people that miss him, and he can't bring himself to make it other than an accident either. He won't let them blame themselves for that.
And then there's Jarvis too......
Tony is pragmatic. He knows he cannot trust himself, so he follows strong standards. Well, as in, not really his own. For instance: Justice.
I saw a poster for Civil War somewhere, and it gave Stark the side of 'justice' and Rogers the side of 'freedom'.
Granted, the film is beingput out by a secular modern culture, so I'll wait until I see the film to judge on that - but it makes sense.
Tony is pragmatic. To a point. Although he made Ultron, I don't think he's really so foolish as to believe the world could ever be completely at peace. I think Ultron was built more to protect against aliens and space or supervillains - not politics and suchnot.
Rogers on the other hand.... He knows it's not possible, but he also believes that anyone can change and he can still hope for a better world. Not perfect - but better.
That the main thing they're different in. Tony doesn't really hope for bigger things, while Rogers can't help it.
It's more likely I'm just reading into it things of imagination. As I said, I've not seen the films in a while and I wasn't in the habit of automatically characterising people when I saw them. I've changed in that - but I'm hardly good. I just enjoy learning and observing.....
Besides.
But, why are they even pairig them off?? And why are almost all of the Avengers in a Captain America film? And why am I the only one that is looking into this - where are my family members that know more about modern culture than I could hope to assimilate?
Oh, wait. They're still stuck on Star Wars.
I'm going to leave this now. This is a mess.
Although, I do need a new project. Especially given that I really need a new dress for Fourth of July. Yes, I'm aware it's months off - but I have to gather everything. First. And! Look what I found!!
I found it while trying to find a generally similar pattern to one of Peggy Carter's dresses, and the pattern for Dottie's hair. I can't recall where though, so....
But since I've almost finished crocheting my vintage triangular shawl, I need a new project. Given figuring out how to crochet an Eldarian or Gondorian blanket seems to expensive and hard right now - circles should be easy! But I can make a small-ish pillow, and then crochet a matching, circular afghan! Probably only one-sided for that though.
And either they are incredicbly good at heated curls, or they actually set hair in pincurls for Agent Carter. Obviously, they set Peggy's hair once for the show - but the styles actually look well done. Sadly, no tutorials for brushing pincurls out like that yet. *Sighs*
The only thing I can find close enough is that her hair looks like Dottie - wrong one. Dottie Underwood's formal hair in that scene looks a bit like Rita Hayworth's. The curls on the side are much the same. And they stayed shape either before or after (depending on when this was taken) tugging a t-shirt over them to get into costume.
.....there aren't instructions that I've found for brushing those like that either.
Probably in one of those books I can't get... *sighs*
And those lovely combs in her hair!! Oh, I am so jealous of the past.....
And those lovely combs in her hair!! Oh, I am so jealous of the past.....
And the costumes-! Oh, I love the costumes..... Adore them, really.
I do need to figure out how to cut that neckline though for my cocktail dress. Sewing would be so much easier if I had ANY patterns to work off of....Of course, I'd not cut any slit in the dress that high up (when you take into account that all waistlines sat generally at the natural waist rather than the hips.....) - but the rest of it!! I hate modern fashion....
I really need to go watch the next series of Agent Carter - I quite miss it. And Dottie comes back!! *Grins* She's fun.
And Jarvis! And Carter, of course. ....and maybe Thompson won't be so bloody infuriating?
And that above is why I love the series besides the setting and subject.
I'm aware that basically boils down to : I love everything about the series.
And why does Besame have to cost so much?? Who pays twenty dollars for one item of makeup? That is ludicrous.....
But it's so beautiful....
OH! And another request for the series: JARVIS NEVER EVER EVER EVER IMITATE AN AMERICAN ACCENT EVER AGAIN SERIOUSLY JUST DON'T!!!
Although, if one couldn't act, the next best job would be to work on costumes for a period production. Honestly. That would be immense fun too. Perhaps not AS much, but still.
Speaking of spy films, I need to finish Agents of SHIELD too.... Oh well. Someday. Agent Carter is better anyway.
Although, if one couldn't act, the next best job would be to work on costumes for a period production. Honestly. That would be immense fun too. Perhaps not AS much, but still.
Speaking of spy films, I need to finish Agents of SHIELD too.... Oh well. Someday. Agent Carter is better anyway.
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